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A subjective description of the “intensity range” would be piercing, powerful or just downright annoying. Intensity refers to the lowest section of the high-frequency spectrum, approximately 1.5khz to 3khz. For example, listeners may claim a vocal is bright, sibilant, or airy, so understanding the attributes and unique language used to describe high end is important to help us decide which specific area to address. High End can be a broad, loosely-defined term among those involved in music. Hip hop vocals, for example, should be particularly impactful and “in-your-face,” so making sure a rapper has enough top end is crucial to the musical emotion of the genre. Vocals with less highs will always sound further away, while vocals with a present high end confront the listener more closely. In turn, the amount of high end in a vocal determines how far away the listener will feel from the vocalist. For example, on vocals, a 5dB cut at 3.5khz is more noticeable than a 5db cut at 100Hz, so considering the nature of how we experience different frequencies is imperative.Īlso, keep in mind that high frequencies travel shorter distances than lower frequencies with longer wavelengths. The Fletcher-Munson Curve confirms that we are most sensitive to the upper mid-range, so any mix adjustments here must be made carefully. The Fletcher-Munson Curve shows exactly how much louder: In order to perceive other frequencies of the hearing spectrum with the same loudness as those in the 3.5-4kHz range, their physical volume must be higher in dB. As a result, even at very low levels, these are the first frequencies we notice. The extra sensitivity we experience from this range exists since the length of the ear canal matches the actual wavelengths of these frequencies. Furthermore, the focal point of our hearing, or the frequency range we are most sensitive to, is 3.5-4khz. A teenager may be able to hear up to 19 kHz, while an elderly person may only hear up to 15khz, or even less. The range of human hearing is approximately 20Hz to 20kHz, which fades away as we age, starting with the highest frequencies. The good news is, all of these challenges can be overcome by knowing what to listen for. Moreover, the human ear has evolved an acute perception toward high frequencies, so there’s not much room for error in the high register. Doing this correctly can be tricky, as there is an art to getting the vocals present and “pop” in a mix, yet also smooth and caressing to the ears. Learn how to properly sculpt the high end of vocals so that they’re present but not harsh, airy but smooth, poppy but not sibilant.Ī great sounding vocal separates seasoned mixers from beginners, and when mixing vocals, controlling the high end is especially important in achieving a “professional” sound. The difference between a good mix and a great mix can often be the vocal sound.